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But efforts to persuade people to buy songs over the air have floundered in Europe and the US. "We estimate that less than one million tracks have been both paid for, then downloaded to mobile phones over the last year, despite this being a service offered by most of the UK's operators," said Mr Lee at Deloitte. That compares with the iTunes Music Store, which in June passed the 500 million songs mark after just two years' operation, and is expected to hit a billion in December.
Indeed, the ROKR - which cannot download songs on the air, and can store only 100 songs - is unlikely to be a hit in its own right. But Michael Gartenberg, an analyst for Jupiter Research, thinks the ROKR's lack of wow factor masks an important step: Apple has for the first time put its iTunes software and the software protection (or "DRM") that guards songs bought online on a non-Apple device - and a phone at that.
The idea that someone who downloads a camcorder-made copy of a theatrical movie is "stealing" it is ludicrous. Yes, it's technically illegal, but let's use some common sense. That's almost as silly as saying I was guilty of theft when I dragged my audio tape recorder into a movie theater and recorded Star Trek II on cassette. I did not "steal" from Paramount to siphon away their revenue but because I loved the movie. I listened to those tapes while sitting in the back seat on long car trips and sometimes while falling asleep at night. My possession of those two 60-minute el-cheapo cassettes (which I distributed for free to two friends) did not reduce the number of times I saw the film. Would I have been upset had someone attempted to prosecute me for this copyright violation? Of course.
There is, of course, a difference between those who pirate movies to sell them at cut-rate prices versus those who download a copy onto their hard drive for personal use. The difference is profit. I agree that it's not only illegal but immoral for someone to make money from someone else's hard work without providing fair remuneration. But I disagree that someone who is downloading a movie because they're curious about it or because they love it and want a copy before it's available on DVD should be subject to punitive action. It's about time the studios recognize this as well.
For someone to argue that downloading and watching a camcorder version of a film is akin to stealing the price of ticket indicates the person making that charge has never watched a camcorder-made video. Even the best are almost unwatchable and sitting through such a copy all but mandates that the viewer has already seen the movie in a theater. In many cases, camcorder copies are not meant to infringe on the studio's copyright. They are meant to give a 13-year old boy the chance to re-live his favorite scene from Iron Man when his mom is too busy to drive him to the theater to see it for the fifteenth time. It's not a substitute; it's an enhancement. (Again, I'm referring to free downloads, not DVDs bought in Times Square. Those selling the latter should be prosecuted.)
This is where studios have an entry point. If substandard copies of entire movies were made available either for free or as part of a package with a minimal subscription fee, this arm of piracy would go away. The video and audio would have to be poor (but better - or at least steadier - than camcorder quality). If it was too good, there would be freeloaders who would watch the copy instead of seeing the movie or renting/buying the DVD. Think "YouTube" quality. Make it legal for fans to get crummy copies of their favorite movies as a way to hold them over until the DVD release. This is really nothing than a new way of marketing. And it would make a dent in illegal copies.
Would it impact revenue? Undoubtedly. There are some people who would use the downloads as "review substitutes." Instead of going blindly to see a movie, why not download it and watch part of it to see if it's worth the price of admission? (If it stinks, you can still watch the rest, after a fashion, on your computer.) Studios that see only the lost $ are clinging to the past. And you can't move into the future that way. At some point, they'll be left behind, shaking their heads and wondering where it all went wrong. The genie is out of the bottle. Downloading, both legal and illegal, is a way of life and it has become ingrained into the fabric of a generation's way of looking at things. Those who find a creative way to become part of this new wave will make money. Those who fight it and threaten lawsuits will find their revenue streams drying up.
And if the answer is "no, we value our freedom more then our ability to watch new movies and sitcoms" then I'm pretty sure Hollywood will accept this answer and will happily continue to ignore "these crazy Linux people".
I don't think he actually does this any more, judging from the volume of the Political Notes section of his personal website, and the fact that the one email I know of in which he mentioned that was circa 10 years ago IIRC.> That should give you an idea of how reality-based his web policy proposals are.The freedom to be able to do crazy fun things like this is important, though. I have weird pandoc / latex / mupdf based feed reader I hacked together, which I love, and this kind of innovation that is threatened by DRM.Catering to non tech savvy users is important, sure, but using "reality-based" implies that there is and should be one way to access internet services, and it isn't worth caring about alternatives. Stallman: The W3C's Soul at Stake Posted May 8, 2013 16:08 UTC (Wed) by geofft (subscriber, #59789) [Link]
When I travel in contintental Europe, many of my BBC podcasts fail to download, and instead I get a recorded message telling me that its not available outside the UK (many do still work - particularly those that don't use content not owned by the BBC (i.e. not music programming) - and much pure-BBC output is provided free to the rest of the word). Who has a right to free BBC? Posted May 9, 2013 10:29 UTC (Thu) by madhatter (subscriber, #4665) [Link]
Note that consoles are a bit different than media. Blocking piracy on a console does *not* require protecting the content -- it just requires controlling the platform enough that you can't easily turn around and play that content on another PS3. With music and movies, it only needs one point of attack to get the content before everyone can freely share and use it. With consoles, every single console needs to be attacked individually in order to play. People were dumping and sharing images of PS3 games for years before anybody could actually use them on another system. RMS is right. Again. Posted May 9, 2013 20:02 UTC (Thu) by khim (subscriber, #9252) [Link] 2ff7e9595c
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